Jumat, 10 Februari 2012

The Moon That Embraces the Sun: Episode 12

The Moon That Embraces the Sun: Episode 12
by | February 9, 2012 | 105 Comments
All right, time to up the stakes, and ratchet up the emotion on all sides. People are pushed into corners, and characters take one step closer to making some finite decisions. Hwon takes one step forward in the big mystery of years past, but also suffers a setback as the baddies get crafty, too. And that cliffhanger leaves us wondering if we’ve hit a point of no return, or if our hero can find a way out. (Okay, I’m pretty sure it’s not a real point of no return, but at the same time I’ll have to remain in suspense another week. As will we all.)
SONG OF THE DAY
Lucid Fall – “어부가” [ Download ]


EPISODE 12 RECAP

A discouraged Yang-myung walks away from the puppet show, having seen Hwon and Wol sitting together. Always the bridesmaid, never the bride.
Without looking, he addresses the silent follower he knows is nearby, asking, “How long have you known?” Woon steps forward and asks if she really looks that much like that child. That’s enough to tell Yang-myung that the king has that same feeling of deja vu, and he suspects that this was meant to be kept a secret from him. He tells his friend, “Now you’ve become the king’s man entirely.” Woon looks sad, but can’t exactly protest that.

That evening, Hwon and Wol walk through the town. He says he enjoyed the show, but calls the story ridiculous — a commoner girl meets a king without knowing he’s the king, and they fall in love? How does a king even have time for romance with all his duties? The nation’s in trouble with such a foolish ruler at its helm. You might want to tread lightly there, King Loverpants, you’re pretty much asking to be smacked on the head with an anvil of irony.
Then he adds that the girl is just as absurd, for not realizing he’s the king from his kingly aura. Lol, I enjoy that Hwon has a streak of vanity. He starts to go on a rant about the implausibility of the script, but finds Wol looking at him, and she says, “The story is possible, because they are people. How can you explain what happens between person to person using only logic?”
He says he’ll pay her back later, and as he goes, she thinks to herself sadly that she won’t be seeing him tonight.

Yang-myung approaches as she walks along, telling her he sent Jan-shil back home. She confirms that he’s Jan-shil’s supposed generous and free-spirited helper, having worried that she’d gotten caught in a scam. Yang-myung steps up and asks, “If such a scammer were this handsome, wouldn’t it be worth being caught once?” Ooh, yes please.
Wol turns to leave, and he gets serious all of a sudden, asking why, if she was so worried, she’d only remembered Jan-shil now? He asks if she was so captivated by something that she forgot who she’d come for, and who would be waiting for her. He says he doesn’t know if he can do it again: “Watching you looking at another place, another person.”

He leaves her wondering at those words.
Hwon is prepared for bed by a nagging Hyung-sun, who is lecturing him about the wild snowman chase from earlier and all the pains he went through to get the pointless thing, with fresh snow from the roof. Hwon just says, “But luckily, you’re still alive.”
Hyung-sun whines about his poor hands, so cold from all the snow, so Hwon grabs them in his own. He pulls Hyung-sun toward himself and says, “Let me warm your hands with my hot chest.” Omg, he cracks me up. Hyung-sun is the very definition of “can’t take a joke” and given the rumors that are already swirling about the king’s preferred bedmate, Hyung-sun reliably freaks out and scrambles to leave, arms crossed over his chest.

Hwon smiles as he anticipates Wol’s arrival, having prepared money as repayment for the puppet theater.
At the same time, Nok-young is giving Wol her instructions for leaving the capital the next morning. Wol has misgivings and asks if she can see the king one last time, wanting to say goodbye and last words. She promises to leave right away, and pleads for permission.
Bo-kyung stews in her chambers, recalling her spy’s latest report about Wol’s resemblance to Yeon-woo. So she sets out and intercepts the shaman-charm on her way to the king; she slaps on a smile and asks Wol to uncover herself so she can speak to her.

She complies, but it’s not Wol — just another shaman. Bo-kyung finds nothing remarkable in her appearance, and looks appeased.
Hwon hears his doors opening and starts to address Wol, but when he looks up his face hardens — it’s Bo-kyung standing there. She tells him she has figured out what he’s been hiding from her, because eight years ago when she first met him in the Silver/Hidden Moon building, he had shot her the same look when he realized she wasn’t who he meant to see.

Hwon angrily reminds her of his warning not to drop in unannounced. Bo-kyung raises her voice too, asking what about that lowly shaman has him so captivated. She tells him to go ahead and take that shaman into his heart; she won’t care. Because no matter whom he loves, she is the one seated at his side: “You will have to acknowledge that soon.”
The new shaman enters, explaining that she is the new amulet, working to facilitate the consummation. The amulet to draw out evil has finished her duty and will be leaving Seongsucheong soon.

Seol can tell from Wol’s expression that she’s on the verge of tears as she packs her things, saying that the hard-hearted Nok-young could have at least consented to let her say goodbye. Just then Nok-young enters and orders Wol to dress as the amulet; she’s been called by the king.
As he leads her, Hyung-sun tries to politely ask her not to upset the king, but she understands without being told and assures him that she won’t.

Hwon paces anxiously, and when Wol enters he demands to know who gave her permission to leave, especially after she told him she would ease his pain. She says that her job is done now, and that she can’t replace that other woman. He loses his temper and she reminds him forcefully that he’s the one who ordered her not to come close. Hwon yells back, “I did not order you to go far away!”
He calms down and tells her she’s right. Looking at her now throws him into confusion, because he can’t tell if he’s looking at that child or Wol’s past self: “But until I can put that confusion to rest, until I can know what it is I feel, don’t you dare… go far away. That is a royal order.”

Queen mother tells Bo-kyung of their new consummation date, which is in several days’ time. She’s smug that this time Hwon won’t be able to thwart the issue with excuses of his health, and asks to see her father.
Minister Yoon finds record books being taken outside and confers with the minister in charge. He hears of Hwon’s angry fit, and how the damaged books are now being laid out in the sun. Now they realize that a few volumes are missing from eight years ago, and this fact strikes Minister Yoon as alarming. And yet, when the official goes to check, the books are back in their place, thanks to Woon.

That’s one point for Team King, but they’re met with bad news: the former attendant to the previous king has committed suicide.
Officers swarm the estate, where they find the man’s body hanging from the ceiling. The chief officer declares that it’s a pretty obvious case of suicide, so what they should look at is the reason for the death.
Hwon fixates on the mystery: What was the man hiding? What is it that he’s being kept from finding out? He sends Hwon to bring every relevant record on file with the Euigeumbu (a royal investigative/judicial department, like a cross between police and courthouse), and to make sure this remains hushed up.

This calls for the reappearance of a familiar face, and a man is brought before the king, wondering at the summons and feeling a sense of deja vu. It’s the same Sungkyunkwan scholar young Hwon had once persuaded into leading students in a rally, now in service at the Euigeumbu, named Hong Kyu-tae.
Hwon explains that when records pass through other hands first, he is kept from the truth. Therefore, he assigns Hong Kyu-tae to pretend to be investigating the suicide, while actually finding out the truth of the princess’s death eight years ago.

Minister Yoon is wary enough to report to the queen dowager that the king has been engaging in suspicious behavior that seems linked to the events of eight years past. On the other hand, queenie is feeling comfortable, saying that moving up the consummation was a heavenly boon.
Ah, and here we have another fissure in this alliance, with one side using logic and the other relying heavily on the Powers That Be. I find the queen’s obsession with the supernatural intriguing, and wonder if it will be her undoing.
The queen dowager says the king won’t find anything, and even if he does, they’ll cover it up. What, with six feet of dirt? Her complacency is interesting, and satisfying (given that she’ll get hers in the end).

Yeom reads, bathed in soft backlighting, which is the way Min-hwa views him through her lovestruck eyes. She tells him dreamily that he’s at his most handsome while reading, but then sighs that he won’t spare a glance for her. An idea pops into her head: “If I covered myself in writing… would you look at me more?” Ha. I dare you to say yes, just to make her do it.
But a servant is on hand to dash the romance in that idea, telling her that erasing the writing is sure to be a pain. And then we see that Yeom isn’t in the room after all — since he’s away on his travels — and Min-hwa had been fantasizing the whole thing. Hilariously, she’s annoyed at her servant for interrupting just when she was about to meet Fantasy Yeom’s gaze. What, you can’t even make him love you in your dreams?
She decides to look after Yeom’s mother, per his request, finding her reading a letter from the queen dowager. Hearing about the soon-to-be consummation night, Min-hwa decides to drop by the palace to see Bo-kyung.
First, Min-hwa consults her books to jot down some helpful tips, like how lying on one side increases your likelihood of bearing a son.

She runs into her grandmother at the palace, who teases her about never visiting. Min-hwa visibly stiffens to confront her grandmother; it’s likely she’s never been comfortable around her since witnessing Yeon-woo’s death rite. She stammers at Granny’s invitation to walk together, inventing an excuse to leave right away.
Hwon is visited by the head of the royal astrology office, which is in charge of designating those consummation dates. He is given the new date, and responds that his health is not improved enough, overriding the physician who declares him fit. The astrology officers urge him to make use of this fortune before the heavenly energy shifts, but he angrily orders them away.

Bo-kyung tells her father she’s not worried that this upcoming date may not happen, saying that she’ll find a way. Her father is alarmed when Bo-kyung tells him that the king’s behavior points to him being in love with the shaman, and he wants to dismiss her immediately. Bo-kyung says no, that until the royal consummation, that charm must remain by his side. She will use the king’s affections in ensuring the consummation. Um, I hope we’re not talking about costume changes or tricks, because I foresee that ending badly for all.
Bo-kyung has accepted — prehaps for the first time — that she wno’t win Hwon’s love after all, so now she says that if she can’t have it, she’ll at least use it to her own ends.
An extravagant delivery is made to Seongsucheong, containing shamanic accessories of high quality. Jan-shil (who has been accepted back after all, perhaps after Nok-young was assured she’s been scared straight) hands over the deliverer’s letter — Yang-myung.

Wol immediately heads out and finds Yang-myung waiting. She asks why he sent her the gifts, and he says, “Because I like you.” Woot woot for the assertive prince! She tells him the joke is inappropriate (the same words Yeon-woo used), and he says he’s not joking.
She says he can’t know enough about her to declare affection. He replies, “Because you were the first. You told me not to hide behind laughs, and not to deceive myself. That I should let go of the pain in my heart. You were the first to say that to me, and those words comforted me.” He concedes that she’s right in saying he knew little about her, but for her resemblance to someone else, “But now that’s not the case. The person I see now is you.”
Aww. Pick him! Pick him!

Nok-young stands before her shrine, worried that the fates of those who must not meet are once again entwining. Bad mojo is in the wind, and it makes her uneasy. She’s with her old accomplice, who wonders how a human can interfere with the winds of fate. Nok-young answers that the chance to end all this disruption comes in three days’ time. If the consummation is successful, the connection will sever and she will be able to send Wol away to safety.
Her accomplice warns her of “the truth we buried” coming to light, but she says that it won’t matter even if it does.

That night, Wol sits with Hwon, looking at him while he reads. He tells her that he knows he’s good-looking, but that she shouldn’t stare, and she laughs. He gets all, “Did you just laugh at me?” and orders her to follow him out for a walk.
Standing outside in the snowy courtyard, Wol asks what has him especially troubled today. He tells her that a man took his life today, and that he was the reason for it: “Death’s shadow always follows those around me. The people I care for all fall into danger. I could not protect them all, and not only that, but I could not ease their bitterness.”

Wol tells him this is not his fault, and that those people all know how he tried to protect them. He tells her to use her mystical powers to answer him: Will the truth he seeks come to light? She says yes, and he repeats the question, asking her to answer with her personal thoughts this time. She says yes again, telling him she has faith in him: “A tangled knot will not unravel all at once. But if you pull at each part of that knot, one by one, one day that hidden truth will be revealed.”
He thanks her, moved by her faith: “That is the first warm comfort I have received in a long time.”

Minister Yoon presses to retain the new consummation date, to the ire of Hwon, who insists he’s not well enough. But the minister has prepared a crafty trap of technicalities, saying that he has kept the evil-warding amulet with him for quite some time now. Is he saying that it has had no effect? Because if not, perhaps it’s the fault of the amulet, who will be have to be dealt with accordingly. You know, destroyed in the name of national security.
Ah, so this is how Bo-kyung will manipulate Hwon using his love. The end result will be that Wol leaves the palace, either alive or dead. Minister Yoon had asked her what she would do if Hwon insisted on keeping Wol with him even after the consummation.

She had replied that this means Daddy gets to step up and mobilize the scholars for his purposes, because how could the king, the model of the state, justify hiding a woman away in the palace in light of the Confucian principles holding up the nation?
The shamans busily clean Seongsucheong, and when Jan-shil protests at the excessive chores, another shaman tells her that they have to prepare for prayers, in light of the consummation tonight. Wol registers this with alarm, while Hwon sits in gloom, immune to Hyung-sun’s attempts to reason with him.

Hwon bursts out, “How can you say that, too?” Hyung-sun tells him that continued refusal only increases the danger to Wol. Hwon puts his head in his hand and tells Hyung-sun not to bring her to him tonight.
He is attended to that night by the royal physician, dressed, and treated with acupuncture and medicine.
Bo-kyung, meanwhile, is dressed in her own finery and awaits the king’s arrival. He makes the walk to her quarters like someone heading to his execution, stone-faced and morose.

Wol is given an order to stay away. Yang-myung finds her fighting tears in the courtyard, having guessed she heard the news. He tells her that this is to be expected of the king, who must provide an heir, which doesn’t ease her heartsickness any. She knows everything he’s telling her but her tears come anyway, and with hers come his. He asks if he can’t be the one for her.
The king and queen sit together, and he starts to undress according to the procedure outlined for them. Are they not even to have this allowed them in their own way? Yeesh. I’m pretty sure the order of hat-belt-sock removal won’t affect rate of conception.

Unforgiving to the last, Hwon says that Bo-kyung must be happy to finally have gotten her way. She answers that this isn’t something only she wants; it’s the hope of everybody, including their citizens.
Wol tells Yang-myung to go back home, but he presses — will she come with him? It’s an echo of their earlier conversation as teenagers, only this time he won’t back down and play it off as a joke. He says he’s tired of being a prince and wants to leave that position. He is ready to run away, and furthermore, continuing as shaman is not good for Wol, either. If she wants to run away, will she run with him?
Hwon sits silently simmering, and Bo-kyung reminds him that no matter what, she is his woman. And all of a sudden he grabs her, pulling her toward him, and touches her face. He says, “Even if you cannot have my heart, you still want to mother the nation’s next king. Fine. For you, I will untie my robe.”

Kamis, 09 Februari 2012

The Moon That Embraces the Sun: Episode 11

The Moon That Embraces the Sun: Episode 11
Yay, the fun is back! I love this episode. It’s full of funny pranks, stealthy missions, and some new mystical elements that work nicely to integrate our characters further. Hwon finally starts playing detective and asking some key questions, and I say, IT’S ABOUT TIME.


EPISODE 11 RECAP

Yang-myung pulls Wol aside to ask if she recognizes him (this time he means from their recent encounter, not when they were tweens) and she doesn’t have a chance to respond.
The guards tear them apart, but this time Yang-myung pulls royal rank, disclosing his identity. The guards immediately bow. He turns back to Wol, but this time Nok-young intervenes, and just in time. She tells them to take Wol away and stands in Yang-myung’s path to block him.

Meanwhile Hwon sits in his chamber, just after having compared Wol’s letter to Yeon-woo’s. (Eeep!) He wonders to himself over and over, “It can’t be…” She enters the chamber and he looks up, angry.
Outside, Nok-young explains that Wol is just a mystical object, no different from a paper talisman. Yang-myung counters that his life is worth nothing more than a slip of paper too, and continues to charge forward.
Nok-young stops him again, saying that it’s not fated to be. He yells back, wondering who determines such things. Nok-young says she’s simply delivering the message of the gods. Yang-myung: “That is not for God to decide, but me.” Gah, could I love him any more?

She finally draws her last card – that going any closer puts Wol in danger. She tells him that his actions could put her in the middle of a war, and warns that he’s putting her life at risk. She tells him the only way to keep her safe is by backing away.
Inside, Hwon is screaming at Wol, demanding to know where she was born. He interrogates her in rapid-fire – where is her family, was she always an orphan, what happened to them.
She explains that when a shaman is endowed with mystical powers she must cut her ties and her memories of her past life. Interesting. So she thinks her amnesia is not specific to her, but a commonality among all shaman?

Still as frantic as ever, Hwon demands she reopen those memories – who was she in her past life, and does she have any memories of him?
But she cries, pleading with him to stop. “I cannot give you the answer you seek. Because I am not that woman you are looking for. I don’t know how much I look like her. But if you wish to inquire more, please, ask her directly.”
His heart sinks, and he backs off the inquisition. Urg, I wish you people would consider the possibility that she CAN’T remember who she is.

At Seongsucheong, Nok-young rips Jan-shil a new one for her colossal mistake, in front of everyone. She wonders why she even bothered to crawl back in here, and kicks her out.
Jan-shil cries and pleads, and Seol tries to get Nok-young to soften, but she means it this time. She wails that it’s because she felt so bad for oraboni, because the king gets everything while he gets nothing. She wanted him to have just one thing…
Nok-young turns around and shoots her a death glare and Jan-shil freezes, covering her mouth. But it’s a little late to take back mention of the king. Nok-young screams at her to get out and turns her back.

Suddenly Jan-shil gets a vision or is possessed, because she stands up defiantly, calling Nok-young “Mother.” She asks why she’s always living to serve others, and Nok-young looks back in shock.
Yang-myung wanders outside the palace walls, and wonders if even this time, he lost the girl AGAIN, to his brother. He finds his mom praying late into the night at the temple, and asks what she’s doing.
She says that as always, she’s praying for the king. He cuts her off angrily, “Just once, can you not call my name before the king’s?” Oof. She asks how he could say such a disloyal thing.

Yang-myung: “It’s disloyal! Hold back! Give it up! Hide it! Don’t waver! Aren’t you tired of it, Mother? Once, just once – Do as you want. It’s okay to be selfish once – Couldn’t you say those words to me?”
Tears fall, but he fights them back and looks up with determination. “I will no longer live for other people!”
Cut back to Jan-shil, who we see now is channeling Yang-myung having this very conversation with his mother. She finishes his words: “If I want to laugh I’ll laugh. If I want to be angry I’ll be angry. If I want to steal [her] away, I will! I’m going to live that way!”

Nok-young watches her in stunned silence, and then Wol walks in. Jan-shil runs over to her, still channeling Yang-myung. “Let’s run away. Run away with me. If it were me, I would’ve protected you. If it were me, I wouldn’t have left you to become like this.”
Oh wow, I just love this scene, the way it cuts back and forth without spelling it out. You can just tell by what she says that she’s a stand-in for Yang-myung. How can a conversation via medium still break my heart for this guy?
Nok-young steps in to wake her out of the connection, and then has her dragged out of Seongsucheong on the spot. She declares that anyone who lets her back inside the palace walls will be punished the same way.

Wol worries and tries to change Nok-young’s mind, but she won’t budge. Seol is more confident that Jan-shil will return in no time, and that Nok-young will eventually take her back in, as always.
Wol sits down with Nok-young and says that if Jan-shil is out then she’ll go too. She confesses that Nok-young was right about her foolish decision to remain here – that she thought she could help the king.
“But I have discovered that I can do nothing for him.” She realized that she’s only made things worse for him, and thrown him into confusion. She thinks that the best she can do is leave him.

Hwon sits obsessing over the letters through the night and into the next day, as Woon and Hyung-sun plead with him to get some sleep or eat. He doesn’t even hear them, and asks what it means when Yeon-woo says in her last letter that her father will bring her medicine and that she won’t see the king anymore.
Woon guesses that she’s predicting her own death. Hwon agrees, and thinks that’s weird. Finally, you are asking the right questions! Hyung-sun gasps—is he implying that Minister Heo had a hand in killing his own daughter?
Hwon thinks back even further – Yeon-woo was always healthy, so what’s with the sudden illness? They ask what he’s getting at, and he spells it out: the princess’s death was not a simple illness.

He wonders if Yeom might know anything, but Woon confirms that he was sent away, and spent his whole life regretting it, because he couldn’t protect his sister. Hwon agrees that bringing up those memories for him would be cruel anyway, and orders him to look into that mysterious medicine that Yeon-woo was given the day she died.
For good measure Hwon actually orders Yeom to go away on a trip, and he packs to leave. Princess Min-hwa is in hysterics, of course, and he comes in to say goodbye. He promises to return soon, but she’s inconsolable.
She asks if he dislikes her because she’s always crying and throwing tantrums, and then wonders if he hates her because he’s locked away in the house, unable to fulfill his potential.

He reassures her that he doesn’t hate her, and that she saved his family. She’s also the one who brought laughter back into this house, and for that alone, he’s grateful. Aw.
She asks if he won’t leave her, and he smiles, wondering what other proof she needs that he won’t. But that’s enough for her, and she decides that she’s going to trust him—that he won’t ever leave her, and that he’ll return from his trip soon.
He wipes her tears and she beams. They’re so cute.

Meanwhile the Council of Evil meets on their latest plan of attack—to go after Yeom for breaching the rules and going on this trip. The assembly gathers and they present their case to the king, that Yeom is required by law not to act as a civil servant in any capacity because he is married to the princess, essentially meaning he ought to stay put in his house.
They argue that his journey could have political implications, but the king argues that there’s nothing wrong with a man taking a vacation. Well now I’m doubly curious about his destination, ’cause it sure isn’t for sun and surf.
Hwon muses that he can just hear the cries ringing in his ears that he’s nothing but a scarecrow, a puppet king. He leaves the council fuming, and decides to kick up a fuss. He storms into the records room where one of the ministers is in charge of sorting civilian requests to the king.

He tears the room apart while yelling at the minister for the same issue he’s always had—that the people’s problems never actually reach the king’s ears. But the whole thing turns out to be a diversion for Woon to steal into the back room and snatch some record books.
He stealths them into Hyung-sun’s hands while everyone else is focused on the king. Nice. Can we get one of these Mission Impossible things in every episode?

Hwon scans the record books from the time of Yeon-woo’s death, but finds nothing other than the official stance that she fell ill. Well that’s not surprising. Did you expect the baddies to write down: “But it was really a super-secret plot to kill her so that Bo-kyung could continue her clan’s line of power”?
Meanwhile Bo-kyung gets a report from her spy that she overheard the king say to Wol that she looks like someone, and that Wol insisted she wasn’t this other person. Bo-kyung starts to get nervous about her hunch.

She walks past the closed Silver Moon Building, and stops short when she hears an echo of a woman crying. Oh creepy. She’s the only one who hears it though, so she tries to shake it off.
Nok-young tells the queen dowager that it’s time to stop using the talisman that draws out bad energy, since remaining by the king’s side might mix good with bad. She says that it’s time to trade her in for a new talisman made specifically for the marriage consummation.
We know it’s all a crock of bullshit, but the queen dowager laps it up, and tells her to do whatever is necessary. Nok-young smiles, now everything in place to get Wol out.

She runs into Bo-kyung on her way out, who asks directly if Wol resembles Yeon-woo, citing the rumors and the fact that the king is acting out of character. She asks to meet the girl.
Nok-young doesn’t flinch and avoids an answer by going on the offensive: “Since when have you been hearing cries coming from Silver Moon?” Bo-kyung trembles. She assures her that Wol is leaving the palace soon, and that her consummation date has been pulled forward, so everything will go according to her wishes. Bo-kyung smiles, reassured.
Nok-young gives the news to Wol that she’ll leave the palace in the morning, and Wol sighs, disappointed to be leaving the king’s side despite knowing that this is what she asked for.

She gets a letter from Jan-shil that says she’s doing well because of a certain someone. We cut to her writing the letter, with Yang-myung behind her. Aw. I knew he’d take care of her.
She swoons about how awesome he is, and then requests a favor, that Wol pack up some clothes and bring them to her, except without Seol, because she suspects that Seol’s on Nok-young’s side. Heh.

Wol packs up her things as asked, and then finds something in the chest. She unwraps it to find the hairpiece—the moon embracing the sun. She doesn’t react to seeing it though, and wraps it back up among Jan-shil’s things.
Meanwhile Hwon goes over the details of what happened eight years ago, and hits dead end after dead end, figuring that everyone who might know what happened is dead. Suddenly he remembers someone who’s still alive—the king’s servant, ie. his dad’s Hyung-sun.

Hyung-sun comes in to see the king, and he’s carrying… a snowman on a tray? Hee. It’s so cute. He wonders why the king suddenly requested he bring him a snowman. Oh no. Hahahaha. I can already see where this is going…
Hyung-sun enters with his little snowman proudly, and of course, the room is empty. HA. Hyung-sun cries out, and out in town dressed as noblemen, Hwon and Woon laugh.

They go to see the former king’s attendant, and his servant lies that he’s away on a trip, even though his shoes are sitting right there on the stoop. Hwon just says loudly enough for him to hear that the king requests his presence in the palace no later than tomorrow, or else.
Outside he tells Woon that today he just wanted to confirm his suspicions – that Yeon-woo’s death really wasn’t a simple illness, because clearly this man has been told to keep his mouth shut about something, for eight long years.
It also tells him that his father must have known what happened, but had a reason he couldn’t do anything about it. “That reason – don’t you think he left that somewhere?” Yay, treasure hunt?

They walk a while, and right past Yang-myung who laughs as Jan-shil devours a chicken. He tells her to return to Seongsucheong, but she doesn’t want to, scared that she won’t even get to beg and plead, because she’ll be tortured first.
He wonders why she stuck her neck out to help him then, if she was so scared. Jan-shil: “It’s because you were the first. You were the first person who ever put his life on the line to help me.” Aw, I love these two.
He can’t help but smile as she tells him that she doesn’t even remember the faces of her mother and father who abandoned her, but his face, she’s never once forgotten. He sighs that her situation isn’t too different from his own.

She perks up, “Were you abandoned by your parents too, and do you have someone you can’t forget either?” He gives a long sigh, “Well, it’s similar.”
She asks about the person he can’t forget. He says that she’s wise and pretty, and that just looking at her brings him comfort. “She caused me a lot of pain, but she brought me a lot of happiness too.”
Jan-shil sighs, “Then maybe I shouldn’t have called Wol here.” That gets his attention right quick. He asks her to repeat it, and she says that it seemed like he wanted to see her, so she called her here. Who needs fate when you’ve got a mystical munchkin?

Wol walks through the streets on her way to them, but when she passes by the parchment shop she gets another flash of memories of being there with Seol, and then again when she passes by the blacksmiths.
The memories come flooding in, of the festival, the prince wearing his mask, and she starts to get dizzy, and falls.
But someone catches her by the waist before she goes down, and when she opens her eyes, Hwon is holding her. Guess you can’t beat Fate, munchkin.

He’s just as shocked as she is, and they stand frozen like that, looking into each other’s eyes.
They walk for a little while, and Hwon is super awkward, all why are you here, oh yeah, I already asked, and I’m here on business, oh right, I already said. Aw, it’s like he’s a teenager again.
He wonders if it’s okay for her to be wandering about during the day when she’s supposed to be preserving her mystical energy and whatnot, joking that that must be why he feels tired.

She doesn’t get that he’s just pulling her leg, so she looks up with concern, asking after his health. In her defense, it wasn’t a very funny joke. He awkwardly has to explain that he was kidding.
She takes her leave and he starts to call out for her, but then sees one of the palace ministers headed straight for him. Woon says there’s a whole group of them coming this way, so they turn around to get back to the palace before they’re discovered.
But Wol stops when she sees that minister berating a child for running into him and ruining his very expensive clothes, and orders his minion to cart the kid away as a slave. Wol steps in to ask that he forgive the child, but only incenses him further, causing him to turn his slave-intentions toward her instead.

The minion grabs for her, but then Hwon comes out of nowhere and runs off with her, head bowed so no one can see him. They take off running down the street, and happen to zoom right past Minister Yoon.
He doesn’t see them straight-on, but after they pass, it gives him pause and he wonders to himself—could that have been the king? Ruh-roh.

Hwon and Wol manage to get away, and he berates her for being so fearless, and not in a good way. She asks if she sees wrongdoing, is she supposed to just ignore it?
He argues that it’s not wrong to expect recompense for ruining expensive clothes, and she starts to ask how expensive they could possibly be, and looks up at the clothes he’s wearing. She says that the higher up you are, shouldn’t you live more simply?
She quotes a story about a king’s duty to set an example in living humbly, so that his subjects follow suit, and it pretty much shuts him up. He wonders how she always knows the right answer to aggravate him. Heh.

He starts to complain but something grabs her attention and she turns away. He’s about to pitch a fit about not paying attention to the king, but sees what she’s looking at – it’s a puppet show.
A wave of emotion hits him, as they stand there silently watching. A man comes up to sell them the best seats in the house, and ushers them to the front of the crowd. He takes Hwon and then sticks out his hand for payment.
But of course, he’s got no money. He’s the king. He looks down sheepishly and Wol laughs to herself and pays for them. Ha. Not so easy to look cool when you don’t have a penny to your name outside the palace walls, eh?

They sit down and he awkwardly says he’ll repay her, and she holds back a laugh. The puppet show happens to be his tragic love story with Yeon-woo, of all things. Hwon is actually bored since he lived it, but Wol watches, captivated.
He turns to look at her, taken with her expression.
Yang-myung paces back and forth, waiting for Wol. He finally can’t take it anymore and heads out to look for her.

Wol turns to Hwon and asks if he’s met that woman he’s looking for yet. He says no. She wonders why, so he finally tells her, “Because she is no longer in this world.”
Wol asks how. Hwon: “It’s my fault. I wanted to protect her, but I couldn’t. There were so many things I wanted to say to her, but I couldn’t. That’s why I haven’t been able to let her go.”
He asks if a shaman can speak to the dead. She says she can. He asks her to send a message: “That I really, really liked her.”

Aw, it’s so sweet and sincere. She looks at him with tears brimming in her eyes, and then he breaks into a cute little smile.
They sit smiling at each other, which is the way Yang-myung finds them. Oh no. Heart breaaaaaaaak.


COMMENTS
Damn, if it’s one thing this show does well, it’s that perfectly tragic love triangle where you’re literally rooting for both brothers, and torn up about it each time one of them loses out to the other. It’s like whiplash, but every five minutes it’s Hwon! No Yang-myung! No Hwon! Aaaaaaagh.
It’s certainly not something you could pull off without such strong leads. Jung Il-woo slays me with his puppy angst more each episode, but his character is very naturally sympathetic anyway. Not that it doesn’t KILL ME every time, mind you, but you’d have to be void of a heart not to feel his pain. It’s actually Kim Soo-hyun who has the harder job of making the king sympathetic despite his character type. Hwon can often times come off quite assy, and bratty in an entitled way (like the small moment when the puppet-watching crowd takes issue with his view-blocking and he blurts, “Do you know WHO I AM?” like a big spoiled brat).
But the glimmer of the old Hwon is in there, and it shows at the seams which is what I love about the portrayal. And the more he’s with Wol, the cute teenage version of him comes out to play. The intensity and strength is a given, but the smiling, that just does me in.
I really love the new turn with Jan-shil and Yang-myung—both their team-up (’cause oh-so-cute) but also the way she channeled him and spoke directly to Wol. I want to see more of that kind of thing, because so far most of the magic has been a big con. I like the con, mind you, especially where Wol is concerned, but I also want to see more mystical interference from Jan-shil or others who really do have a direct line to the other side.
The best thing about this episode was the breath of fresh air it brought by taking everyone outside the palace walls. I love any time we come outside, because those walls feel suffocating to me (in a good narratively-effective way, but it still feels stifling). I love any chance to see Hwon outside his normal protected environment, and I certainly wouldn’t mind if they played hooky more often. Poor Hyung-sun will just have to start a little snowman family.